|
Record number
|
06/2566
|
| Title | Die Vorzüglichsten Gemälde Der Königlichen Galerie In Dresden nach Den Originalen Auf Stein Gezeichnet. Nebst Erklärungen In Historischer Und Artistischer Hinsicht In Deutscher Und Französischer Sprache Von G.J.A. Frenzel, Vorsteher Der Königl. Galerie Der Kupferstiche und Handzeichnungen Zu Dresden, Ehrenmitglied Der Kaiserl. Academie Der Künste Zu St. Petersburg Herausgegeben Von Franz Hanfstaengl. ... Les Principaux Tableaux De La Galerie Royale De Dresde Lithographiés D'Après Les Originaux. Avec Des Explications Historiques Et Concernant L'Art, En Allemand Et En Français Par J.G.A. Frenzel, Conservateur Du Cabinet D'Estampes De S.M. Le Roi De Saxe, Membre Honoraire De L'Academie Imperiale Des Beaux Arts De St. Petersburg. Publies Par François Hanfstaengl. |
| Imprint | Dresden / Dresde: 1836. |
| Physical Description | 3 vols.; 722 mm. |
| Physical Description Note | Vol. I: [2] f., [2?], 24 p., engr. dedic., [82] pl.: illus. - Vol. II: p.25-64, [41] pl. - Vol. III: p.65-96, [71]pl. (Pages 65/66 bound in in reverse order.) |
| Content Format Note | Vol. I: [Engr. dedic., t.p.] - Vorwort / Avant-Propos - Geschichtlicher Uiberblicke Der Malerei / Coup D'Oeil Historique Sur L'Art De La Peinture - [Notes on specific pictures and painters]; [colophon] - [Plates]. - Vol. II, III: [Notes on paintings] - [Plates]. |
| Summary Note | The publication-date of 1836 is given on the title page; but in Volume I some plates carry the dates, 1835, 1836, 1837, 1838, 1839, 1840, in Volume II one plate carries the date 1838, and in Volume III one plate carries the date 1840. Some in-text illustrations in Volume I carry the dates of 1839 or 1840. The Royal Academy's copy is bound in three volumes, but there are no title pages for volumes II and III and the pagination of all three volumes is continuous.
The text is printed in German and French in parallel.
The plates show paintings by An. Carracci (3), Titian (8), C. Netscher (8), P. Wouwermann (10), Correggio (5), G. Metsu (or Metzu) (6), J. Ruisdael (4), C. Dolce (3), A. van Ostade (3), G. Terburg (4), V. San Gimignano, G. Dow (5), Rembrandt (4), P. van Slingeland (3), H. Holbein, J. Both, P. de Hooghe, F. van Mieris (8), C. Cignani, Rubens (5), J.H. Roos (3), Veronese (9), A. Van Dyck (5), Caravaggio (2), F. Bol (5), R. Mengs, D. Teniers (5), Guercino (3), F. Baroccio, M. Hondekoeter, G. Bellino, A. Turchi, E. van der Neer, P.G. Battoni, G. Schalken, A. van de Velde, Palma Vecchio (4), G.A. Fasolo, S. Murillo (2), Guilio Romano, H.M. Sorghj, G. van der Eckhout, C.L. Vogel, P. Bordone, C. Lauditz, B. Strozzi 92), Sassoferato (2), Guido Reni (3), G. Honthorst, A. van der Werff, A. Franceschini, Giorgione, B. van der Helst, School of Raphael (2), F. Snyders (2), Raphael (2), School of Rubens, Francia (2), Claude, B. Garofalo, G.F. Penni (2), Leonardo da Vinci, F. Gessi, N. Berchem (2), B. Ramenghi, J.E. Liotard, Dosso Dossi, G. Porta, J. Jacobsen, N. Verkolje, C. Bega, P. Lanzani, C.W.E. Dietrich, Pordenone, I. van Ostade, J. van Keulen, Spanish school, D. van Tol, A. Kuyp, P. van der Werff, P. Potter, A. Lozzi, J.D. de Heem, A. Varotari, C. Canaletto, C. Maratti. Two plates in Volume II show portraits of King Friedrich August II and his queen, by J. Stieler; one in Volume III shows a (self-?)portrait of Franz Hanfstaengl. |
| Responsibility Note | Most plates are signed as lithographed by Franz Hanfstaengl, but some are signed as lithographed by Friedr. Hohe, V. Schertle, C. Straub, Fr. Fecht, G. Markendorf, G. Weinhold, E. Schulz, Deroy, Mayer, M. Golde, Sebald Wiedenbauer, Rafeldt or M. Lotze.
Each carries the printer's imprint, 'Gedr. bei dem Herausgeber' (or similar). The portrait of Hanfstaengl in Volume III carries the imprint, 'Verlag von C. Naumann in Dresden und in Commission bei Rudolph Weigel in Leipzig.'
Some in-text illustrations in Volume I are signed as made by Adolph Menzel.
The text printer is named in the colophon and at the foot of some other pages of text: 'Druck von G.B. Teubner in Dresden'.
The work is dedicated by Franz Hanfstaengl to King Friedrich August von Sachsen. |
| Subject | Paintings, European - History
Collections - Galleries - Museums - Germany - Saxony - Dresden - 19th century
Catalogues - Germany - 19th century
Pictorial works - Lithographs - Germany - 19th century |
| Name as Subject | Wouwerman, Philips, 1619 - 1668
Veronese, Paolo, 1528 - 1588
Titian, between 1485 and 1490 - 1576
Netscher, Caspar, 1639 - 1684
Mieris, Frans van, 1635 - 1681
Gemäldegalerie (Dresden) |
| References | Masterpieces from Dresden, ed. D. Breuer [Royal Academy exhibition catalogue] (2003); The splendor of Dresden: five centuries of art collecting [exhibition catalogue] (1978).
On Hanfstaengl see H. Gebhardt, Franz Hanfstaengl (1984). |
| Copy Note | Imperfect: in Volume I lacks the latter pages of the 'Geschichtlicher Uiberblick' beyond column 4. |
| Binding Note | Vols. 1, 3: 20th-century quarter calf, 19th-century green cloth-covered boards; grey morocco spine-labels lettered 'Dresden Gallery Hanfstaengl No.1 To 27 (No.3 41 To 60)'. Vol. 2: 20th-century half red morocco, red cloth-covered boards; spine lettered 'Dresden gallery By Hanfstaengl - No.2. - 28 To 40', 'R.A.' and '1842-4'. |
| Variant Title | Principaux Tableaux De La Galerie Royale De Dresde Lithographiés |
| Contributors | Frenzel, Johann Gottfried Abraham, 1782 - 1855
Hanfstaengl, Franz, 1804 - 1877, compiler, lithographer, lithographic printer
Friedrich August II, king of saxony, 1797 - 1854, dedicatee
Wouwerman, Philips, 1619 - 1668, source artist
Veronese, Paolo, 1528 - 1588, source artist
Titian, between 1485 and 1490 - 1576, source artist
Netscher, Caspar, 1639 - 1684, source artist
Mieris, Frans van, 1635 - 1681, source artist
Gemäldegalerie (Dresden) |
|
MARC Record view |
|
